In search and denial of metaphor
Pandemic field notes on grief, bird migration, ritual, and time
Pandemic field notes on grief, bird migration, ritual, and time
What does it mean to pronounce an era over? What does it mean to declare a conflict to have ended or the days of poverty to be behind us?
Naming ghosts of patriarchy and misogyny was a feminist project to which I have committed my life with little hesitation or regard for propriety (ever the fear raised to caution people away from uttering powerful words). Except, somewhere along the way, I became more comfortable exporting this project to other domains rather than finding the words for it in my homeland. The same can be said for tolerating all other manners of abuse–racism, anti-immigrant sentiment, xenophobia–for which the words felt foreign or the battles felt like they were someone else’s to fight. Is that not a form of complicity in oppression, disguised under the banner of foreignness?
(With thanks to Andre Aciman, for a variation of the title.) “Very healthy, we believe you. A girl, though? Impossible! This family only has boys.” That was, allegedly, my parents’ reaction upon learning a very healthy baby girl would enter their world. My mother took great pride in that being the last time the label ‘baby’ was attached to me. “You were Roxani from the womb,” she insisted. This is the story of a name and, inevitably, of the stories we tell ourselves. Many Greeks name their children after the grandparents, a game that invites the kind of social gymnastics that need a flowchart to explain: Which set of grandparents goes first? Do the living or the dead ones have priority? What about if you have multiple children? Or just one? What about your siblings’ children? What if–gasp–you don’t like your parents’ or in-laws’ names? What if–further gasp–you just want to name your children something other than what their grandparents are called? Ρωξάνη. For a little baby (fine, a huge, 10-pound baby), my grandmother’s majestic name felt …
It is the smell that catches you first. You open the front door gently, a skill you learned when you were 15 and tried to glide into your house without anyone noticing you are wearing blush. You didn’t know then that mothers can detect makeup on their daughters with infrared vision, even if the teen magazines swear that it’s a “natural neutral look.” But you did know just how to turn the key so the door doesn’t squeak and which tiles to step on so you do not wake up the whole house. This is how you still enter your childhood home, even though your cheeks can shimmer without inspection.It is always the smell. It does not emanate from the people. It is steeped in the place. You have left and returned here before, but you always somehow forget about the smell. It escorts you from room to room. You feel larger than life and play Alice in Wonderland with the objects of your childhood. Were the shelves always quite so low? Were the curtains …